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Libuse HavelkovaTrain Dispatcher Hubieka. At the Festival Theater, 57th Street at Fifth Avenue.
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Hrabal directed by Jiri Menzel and produced by Film Studio Barrandov of Prague a Sigma III Release presented by Carlo Ponti. The CastCLOSELY WATCHED TRAINS, screenplay by Bohumil Hrabal and Jiri Menzel, based on a story by Mr.
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Vladimir Valenta as the stationmaster, Vlastimil Brodsky as a Nazi official and Jitka Bendova as the passing conductor are also excellent in a splendid cast.Jiri Sust's economical yet perfectly applied musical score adds a great deal to the expression of this picture. And it is in the brilliance with which he counterpoints the casual affairs of his country characters with the realness, the urgency and significance of those passing trains.In Vaclav Neckar he has a most laconic, amusing and touching lad to play his diffident hero, and in Josef Somr he has an actor of lovely skills and very subtle suggestions to play the train dispatcher. Unexpected, unimpressive little people heroically grew up.The charm of his film is in the quietness and slyness of his earthy comedy, the wonderful finesse of understatements, the wise and humorous understanding of primal sex. Menzel prove that the seeming indifference and sluggishness of certain elements of the Czechoslovak people-the provincials who seemed to go through the war in an old, charming, self-indulgent fashion - were deceptive in some brave instances.
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In the end, however, through the interest of his friends and a series of taut events, he is able to meet not one crisis but two and thoroughly prove himself a man.More than that, he and Mr. But things don't work out for him as nicely as he realizes they should he fails at a delicate moment of crisis, and is thrown into a mood of despair. His hero is a thoroughly callow youngster, descendant of a formidable line of small-time braggarts and show-offs, who gets himself a job as an apprentice train dispatcher at a country station somewhere west of Prague, evidently with no greater ambition than to become another uniform-wearing stuffed shirt.Awesomely and enviously, he watches the nonchalance and dexterity with which his immediate superior, the dispatcher Hubieka, tosses off his modest duties of waving on the trains that come roaring through the station, tending the switches and telegraph instruments, and especially the skill with which he manages to enjoy himself with available members of the opposite sex.Nervously, our young hero tries to emulate the older man, particularly with a pretty woman train conductor who passes through from time to time. Menzel is aiming at all through his film is just a wonderfully sly, sardonic picture of the embarrassments of a youth coming of age in a peculiarly innocent yet worldly provincial environment. Even in its last explosive minute, when a chain of seemingly secondary events build up swiftly and melodramatically to the blasting of a huge munitions train, it is hard for the adroitly diverted viewer to believe he has seen what he has-to realize that he has witnessed a poignant climax to the charming comedy he has been amiably watching.What it appears Mr. After they-and all others-see it, the aptness of the title should be clear.For this, like "The Shop on Main Street," is a picture that tacitly implies a rueful and lingering contrition for the behavior of some Czechoslovaks during the war-a subtle sort of sardonic comment on the slowness with which they became aware of the annihilating menace of those arrogant, closely watched trains and the casualness with which they pulled themselves together and did something about them in the end.Also, like "The Shop on Main Street," it begins as a folk comedy, and deceptively it keeps us thinking it is only that right up to the end. But to Czechoslovaks who remember that this was the designation for the German munitions and troop trains that were given priority passage through their occupied country during World War II, it should agitate curiosity-before they see the film.
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It is Jiri Menzel's "Closely Watched Trains," which was presented here in June in a showing of Czechoslovak films at the Museum of Modern Art under the banal title of "A Difficult Love." That, thank goodness, was discarded after it had been suitably ridiculed by sensible people who saw the picture, and the original title was resumed."Closely Watched Trains"-that, too, may call up a commonplace image to the minds of Americans who have no awareness of the significance of the term. A FILM from Czechoslovakia that is as expert and moving in its way as was Jan Kadar's and Elmar Klos's "The Shop on Main Street" or Milos Forman's "Loves of a Blonde" began a run yesterday at the Festival.